The National Saturday Club Summer Show was a major exhibition at Somerset House showcasing the ideas, creativity and innovation of the nation’s next generation. The concept for the 2025 show emerged through co-design sessions with the Youth Board, using the voice of the young people as a key narrative thread, giving visitors insight into their feelings throughout their creative journey.  
Sustainability was a key design driver, feeding into the development of a suite of sustainable, recyclable and recycled displays. The outcome is a richly layered experience highlighting the talents of the next generation, including intuitive navigation, break out spaces and playful moments for audience participation.

Round Our Fair-Fields is a new public artwork for Fairfields, a young development in the western expansion area of Milton Keynes. Composed of ten 'Lettervanes' spelling F-A-I-R-F-I-E-L-D-S, the concept emerged through engagement with residents to create a playful, informal space for gathering, a much desired amenity as residents await the construction of their new community centre. The Lettervanes are arranged concentrically and the shape of each letter is echoed in its base, formed from the ‘swept’ volume of each letter as it is spun on its central axis. The artwork makes visible the natural forces of the wind and sun, with each letter pointing in the direction of the wind and reflecting the colours of the surrounding Apollo Green parkland to create an animated, celebratory outdoor space.

The Cultural Strategy for Clarendon Gasworks was developed at the outset of this major mixed use development in Haringey, with detailed chapters accompanying each development phase. The first cultural delivery project comprised of a family of interpretation pieces for the northern quarter, commissioned via an open call. Artist Rachael Champion was selected to engage with local resident groups to develop three new artworks, working through an exploration of natural and built materials; Course and Flow, a topographical map of the Moselle River; Remembering Giants, celebrating the former gasholders; and Boulders of Biodiversity, highlighting the local ecology that thrives on borders of the former industrial site. Together, they reveal the site’s natural and industrial heritage, creating a discovery trail that strengthens identity, builds cohesion, and recalls the evolution of this fascinating neighbourhood in the heart of Wood Green's creative district.

Chine Forest is an ambitious digital and biophilic artwork, integrated within new public realm to highlight the historic Old Fire Station. Collaboration with Coda to Coda and Michael Grubb Studio has resulted in an immersive landscape of synchronised sound and lighting within a copse of 22 custom made steel 'trees'. The project celebrates the area's unique natural landscape of chines, sea and meadows through a programmable digital canvas, providing a platform for future commissioning. The outcome is dynamic programme of soundscapes, shipping forecasts and oral history recordings, following a circadian rhythm, fluctuating from sunrise to sunset and offering a new programme each day.

The Lansdowne Cultural & Placeshaping Strategy was shaped by extensive public consultation which identified opportunities for arts and culture to enhance the pedestrian experience from the station to the town centre and beach. The first project was a new wayfinding trail, developed in collaboration with graphic designer Stephen Barrett, resulting in a bespoke font and collection of inground waymarkers to guide visitors to both destinations. In addition to wayfinding, the aim was to highlight heritage assets such as the Old Fire Station and reveal the history of Bournemouth. Four street artists were commissioned to create superscale street art along the route to elevate local pride and encourage use of a key pedestrian underpass.

Commissioned by the London Design Biennale, the exhibition design brief posed the challenge of representing submissions from designers from 50 countries and six continents who had responded to a worldwide Open Call for radical design thinking. The Cathedral of Creativity showcased innovative and unconventional design solutions for pressing global challenges and borrowed from Eames' House of Cards to create a lightweight and sustainable physical installation at Somerset House. In addition to the physical exhibition, an online gallery and a series of talks via digital platforms were used to share the projects amongst the global design community and, following the biennale, the exhibition was relocated to Chatham House.

Emerging from Watford's Cultural Strategy 2018–2025, Welcome to Watford transforms a once cluttered arrival experience to become a welcoming gateway celebrating Watford’s distinctiveness. Supersized letters reference local heritage and offer playful, illuminated seating which, combined with new planting and hard landscaping promote intuitive wayfinding, walking and cycling to nearby leisure offers. Located in the forecourt of one of the busiest stations on the London-Birmingham route, close collaboration with the client, Network Rail and stakeholders ensured minimal disruption to visitors and commuters during the works.

Sir John Sorrell CBE, Chairman of London Design Festival, invited Juliet Quintero to create "a lookout to watch the sunset over the water", an impossibly poetic brief and legacy piece for his family home.
The project was part of the AHEC's Legacy commission, exploring the potential of thermally treated American red oak, working with acclaimed furniture maker Benchmark. The resulting outdoor artwork employs randomly layered pieces of red oak in different lengths, constructed to evoke a bird’s nest. The piece was displayed on Exhibition Road for London Design Festival 2019, prior to being relocated to its permanent home, where it continues to be enjoyed by their growing family.

Town to Port is a trail of wayfinders that connects Colchester to the Hythe, its former trading port, upon which the city built its fortunes. With the port no longer in use, the project's aim was to reveal history and strengthen the Hythe's identity amongst a transient community. Proposals were developed through intensive community engagement, commissioning local artists, fabricators, photographers and engaging with business to create a co-produced series of wayfinders. Inspired by the port’s industrial heritage, these take the form of bespoke gabion steel cages filled with historically traded materials—such as bricks, oysters, engines, and coal— to create a tactile heritage trail that encourages exploration by foot.

Abundant Amelia is a ground-breaking public realm project that has revitalised neglected spaces on the Pullens Estate through food growing, landscaping, and community-led design. Initiated by residents via an open design competition and funded through local S106 contributions, the project used greening and public realm design to tackle anti-social behaviour, including speeding, littering and feelings of safety. Extensive consultation shaped proposals to create green, sociable places, including safer school streets, a community orchard, edible planting and community planters. Fifteen years on, the project serves as a valuable example of the wide benefits of greening our urban realm, from health and wellbeing to fostering a sense of ownership, building local resilience and social cohesion.

Hunting the Cockney Sparrow was a temporary public art installation for London's RIBA Architecture Week, designed to pique curiosity, invite participation and spark conversations. A cockney-slang treasure map led visitors to Bloomsbury Square Gardens, where trail-hunters discovered the formal park benches reconfigured with gramophone horns and wind-up radios. Tuned into local radio stations, the benches were tranfromed to become eight individual acoustic installations, radically reshaping the nature of these formal gardens, to create a playful, interactive orchestra for enjoyment of the curious passerby.